Updated on 2025/03/27

写真a

 
Nakane Takayuki
 
Organization
Faculty of Law and Letters Department of Humanities and Social Sciences Humanities Professor
Title
Professor
Contact information
メールアドレス
External link

Degree

  • 博士（文学） ( 筑波大学 )

Research Interests

  • 日本近現代文学・比較文化研究

Research Areas

  • Humanities & Social Sciences / Japanese literature

Education

  • University of Tsukuba

    - 2001

    　 More details

    Country： Japan

    researchmap

  • University of Tsukuba   Graduate School, Division of Literature and Linguistics

    - 2001

    　 More details

  • Waseda University   Faculty of Literature

    - 1993

    　 More details

  • Waseda University   School of Letters, Arts and Sciences II

    - 1993

    　 More details

    Country： Japan

    researchmap

Research History

Professional Memberships

Qualification acquired

  • 中学校教諭一種（国語）および高等学校教諭一種（国語）

Papers

  • Itsuki Hiroyuki’s Farewell to Moscow Misfits and Entertainment Strategies: Middlebrow Novels, Jazz Novels, and Repatriates

    Takayuki Nakane, Eric Siercks

    Humanities   12 ( 3 )   53 - 53   2023.6

    　More details

    Publishing type：Research paper (scientific journal)   Publisher：MDPI AG  

    This paper addresses writer Itsuki Hiroyuki’s 1966 debut novel Farewell to Moscow Misfits through the lens of middlebrow novels, jazz novels, and repatriates. This novel draws from Itsuki’s personal experience being repatriated from colonial Korea after the war and visiting the Soviet Union in the mid-1960s. Farewell was unique for its time in representing jazz, music, and youth “stilyagi” counterculture in the Soviet Union. This counterculture movement was roughly contemporaneous with the student movement of the 1960s in Japan. This period also saw the popularization of the “middlebrow novel”—an ambiguous term that was used to describe literature outside of the established pure/popular dichotomy. These amorphous “middlebrow” works allow us to read some of the cultural dynamics of the 1960s. Itsuki published many of his early works in so-called middlebrow magazines, not “pure” literary journals. Itsuki himself claimed that his works were neither pure literature nor popular literature; they were simply “entertainment”. He placed his works in relation to jazz, the circus, and enka. His unique views on cultural production and media emerged from his repatriation experiences and his encounter with Russian culture. This paper examines not only genre conventions in literature but also Itsuki’s objections to the pure/popular literary structure, as well as his place in cultural representations of the 1960s.

    DOI： 10.3390/h12030053

    researchmap

  • Natsuki Ikezawa and the Southward Imagination:Postwar Japan and Writers Wandering Abroad Invited Reviewed

    NAKANE, Takayuki

    Border crossings : the journal of Japanese-language literature studies   ( 15 )   41 - 54   2022.12

    　More details

    Language：Japanese   Publishing type：Research paper (scientific journal)  

    researchmap

  • A Literary Historical Approach to the Colonial Literature in the Postwar Era Invited Reviewed

    NAKANE, Takayuki

    Modern Japanese Literary Studies   ( 106 )   50 - 63   2022.5

    　More details

    Language：Japanese   Publishing type：Research paper (scientific journal)  

    researchmap

  • Yuko Tsushima's Works and Their View of the World Reviewed

    Nakane, Takayuki

    Aibun   ( 56 )   95 - 107   2021.3

    　More details

    Language：Japanese   Publishing type：Research paper (scientific journal)  

    researchmap

  • 森崎和江と柳田國男：植民者二世の戦後

    中根隆行

    愛文   ( 55 )   89 - 101   2020.3

    　More details

    Language：Japanese   Publishing type：Research paper (scientific journal)  

    researchmap

  • Creating Like Translating : Ian Hideo Levy and Literature Written in Japanese Invited Reviewed

    68 ( 11 )   35 - 43   2019.11

    　More details

    Language：Japanese  

    CiNii Books

    researchmap

  • Tokyushi Lee and Haiku : Chosen Haiku Around the Time of the Japanese Defeat and in the Present Reviewed

    3   51 - 62   2016

    　More details

    Language：Japanese  

    researchmap

  • 宗主国文芸の転回 : 朴魯植と日韓俳句人脈 (特集 転向点・1933 : 文学・歴史・社会の観点から)

    中根 隆行

    社会文学   ( 37 )   15 - 24   2013

    　More details

    Language：Japanese   Publisher：日本社会文学会 ; 1987-  

    CiNii Books

    researchmap

  • 太宰治「貪婪禍」論 : 旅行者的心性にまつわる「私」の素性 (作品論 随想「知らない人」から「私信」まで)

    中根 隆行

    太宰治研究   ( 20 )   106 - 113   2012.5

    　More details

    Language：Japanese   Publisher：和泉書院  

    CiNii Books

    researchmap

  • 堀田善衞『広場の孤独』の射程――朝鮮戦争と同時代の日本文学

    韓国語文化研究所韓国語と文化   ( 7 )   187 - 210   2010

    　More details

  • 帝国日本の「満鮮」観光誌と古都慶州の表象

    韓国文学研究所（東国大学校文化学術院）韓国文学研究   ( 36 )   55 - 78   2009

    　More details

  • 在朝鮮という視座と旅の哲学－渡韓日本人の朝鮮像と安倍能成の韓日比較文化論

    東国大学日本学研究所日本学   ( 27 )   11 - 34   2008

    　More details

  • 安倍能成と京城帝国大学 (特集 <京城>のモダン/近代)

    中根 隆行

    朱夏   ( 21 )   24 - 30   2006.8

    　More details

    Language：Japanese   Publisher：せらび書房  

    CiNii Books

    researchmap

  • 朝鮮における日本語教育政策と同化主義--日韓併合期の植民地教育をめぐるイデオロギーの交渉

    中根 隆行

    青丘学術論集   24 ( 24 )   173 - 206   2004.4

    　More details

    Language：Japanese   Publisher：韓国文化研究振興財団  

    CiNii Books

    researchmap

  • 民主主義と在日コリアン文学の懸隔--金達寿と『民主朝鮮』をめぐる知的言説の進展

    中根 隆行

    昭和文学研究   42 ( 42 )   40 - 53   2001.3

    　More details

    Language：Japanese   Publisher：昭和文学会  

    CiNii Books

    researchmap

  • 従軍文士の渡韓見聞録 : 日清・日露戦争期の<朝鮮>表象と与謝野鉄幹「観戦詩人」

    中根 隆行

    日本語と日本文学   29 ( 29 )   29 - 42   1999.8

    　More details

    Language：Japanese   Publisher：筑波大学  

    CiNii Books

    researchmap

  • The Birth of The Bungakukai : Naoki Tanaka, an editor's view of culture

    Takayuki Nakane

    Tsukuba studies in literature   16 ( 16 )   61(34) - 74(21)   1999.3

    　More details

    Language：Japanese   Publisher：University of Tsukuba  

    CiNii Books

    researchmap

  • REPRESENTATIONS OF POPULAR CULTURE IN TANIZAKI JUN'ICHIRO'S IN PRAISE OF SHADOWS

    ( 21 )   99 - 113   1998.10

    　More details

    Language：Japanese  

    The years immediately following 1933 are customarily referred to as a period of "literary revival," in the first edition of the literary magazine Bungaku-kai, Kawabata Yasunari asserted that "now there are indeed signs of a revival in literature." Almost certainly, Kawabata was referring to "pure" literature (jun-bungaku) rather than the rival genre of "popular" literature (taishu-bungaku). However, the single reason for the wide popularization of taishu literature was the rapid development of mass communications in the wake of the Great Kanto Earthquake, which had precipitated on overwhelming rise in the number of publications aimed at the mass market.Tanizaki, who had made a significant contribution to the "literary revival", blamed the rise of popular literature for the failure of his own works to attract attention. "Ever since this started," he complained, "I have been completely ignored by the critics" Although keen enough to ask themselves how best to guide the flood of popular literature, surprisingly few writers and critics of the period gave any thought to the significance of the phenomenon itself.In this paper, I would like to consider "In Praise of Shadows" (In'ei Raisan), in which Tanizaki, previously an ardent admirer of the West, depicted the beauty of Japanese life. This work may be interpreted as a statement of dissent against what Tanizaki regarded as the excessively hygienic cultural structure which lay behind the boom in popular culture.I propose to examine Tanizaki's work in the light of contemporary publications, which provide valuable clues to the cultural customs of the day.At the outset of the revival, the literary divide lay between "pure" and "popular" fiction. But in "In Praise of Shadows" Tanizaki sets the boundary between literature and culture. Rather than crossing this divide, Tanizaki shows how it may be defined from a writer's point of view. The object of this paper to clarify, by means of a comparison with publications, the place of "In Praise of Shadows" within Tanizaki's representation of popular culture.

    researchmap

  • 純粋志向の文学言説 -佐藤一英「純粋童話」の提唱とその周辺-

    中根 隆行

    日本語と日本文学   27 ( 27 )   75 - 85   1998.10

    　More details

    Language：Japanese   Publisher：筑波大学  

    CiNii Books

    researchmap

  • On the Slogan of "Bungei-Hukko" in 1933

    Nakane Takayuki

    Tsukuba studies in literature   15 ( 15 )   230(53) - 242(41)   1998.3

    　More details

    Language：Japanese   Publisher：University of Tsukuba  

    CiNii Books

    researchmap

  • Nakagami Kenji's Experiences in Korea and Their Influence on His Later Novels::The Geographical Expansion of "roji" to Asia

    NAKANE Takayuki

    HIKAKU BUNGAKU Journal of Comparative Literature   40 ( 0 )   62 - 75   1998

    　More details

    Language：Japanese   Publisher：Japan Comparative Literature Association  

    <p> Nakagami Kenji is said to be a novelist who often utilized the alley ("roji") in his novels. His concept of "roji" was initially associated with the Hisabetsu Buraku (an area where descendants of the lowest social class in the feudal system live together) of his home town, the Kumano District of Kishu (the name of a feudal domain, currently known as Wakayama Prefecture). His novels after "The End of the Earth, Time of Supremacy (<i>Chi-no-Hate</i><i>, Shijo-no-Toki</i>)" which is a story about the break-up of a "roji"，have been regarded as literary works about "Diaspora"，which is a theme peculiar to Asia. While not wholly neglecting the later novels with Asian themes, critical studies of Nakagami's works have nevertheless failed to discuss fully the importance of these later works.</p><p> Since the latter half of the 1970s, Nakagami Kenji began to go abroad frequently. The fact that his experiences of different cultures, mainly Korean, exerted a great influence on his understanding of history and on his novels has not been discussed much. As Nakagami Kenji geographically expanded to Asia the concept of "roji"， which was previously limited to his hometown of Kumano in Kisyu, various important problems concerning the spacial representation of alien cultures arose. This is all the more so, because the representation of Asia in contemporary literature cannot be seen as separated from the history of Japan's imperialistic rule of her colonies and the Great East Asian and Pacific War.</p><p> In this paper, Nakagami Kenji's experiences in Korea and his construction of space in his later novels will be discussed in relation to his view of Asia and his understanding of its history.</p>

    DOI： 10.20613/hikaku.40.0_62

    CiNii Books

    researchmap

  • 「日本の現代作家に現れた韓国文化─可能性としての中上健次の歴史認識と韓国文化観」

    韓国比較文学会『別巻比較文学』   ( 1 )   173 - 186   1998

    　More details

  • Nakagami Kenji's Housenka

    Nakane Takayuki

    Tsukuba studies in literature   14 ( 14 )   177(66) - 200(43)   1997.3

    　More details

    Language：Japanese   Publisher：University of Tsukuba  

    CiNii Books

    researchmap

  • Kenji Nakagami's Kareki-nada

    Takayuki Nakane

    Tsukuba studies in literature   13 ( 13 )   86(161) - 104(143)   1996.3

    　More details

    Language：Japanese   Publisher：University of Tsukuba  

    CiNii Books

    researchmap

▼display all

Books

  • '조선' 표상의 문화지 : 근대 일본과 타자를 둘러싼 지 (知) 의 식민지화

    中根, 隆行

    소명출판  2011.11  （ ISBN:9788956266305 ）

    　More details

    Total pages：375p   Language：Korean  

    CiNii Books

    researchmap

  • 海を越えた文学－日韓を軸として

    和泉書院  2010 

    　More details

  • 「朝鮮」表象の文化誌 : 近代日本と他者をめぐる知の植民地化

    中根, 隆行

    新曜社  2004.4  （ ISBN:4788508974 ）

    　More details

    Total pages：396p   Language：Japanese  

    CiNii Books

    researchmap

  • 植民地主義とアジアの表象

    筑波大学文化批評研究会, 荒木, 正純, 宮本, 陽一郎, 斉藤, 愛, 齋藤, 一, 日比, 嘉高, 鄭, 炳浩, 張, 栄順, 李, 征, 中根, 隆行, 波潟, 剛, 阿部, 軍治

    佐藤印刷株式会社つくば営業所  1999.3 

    　More details

    Total pages：278p   Language：Japanese  

    CiNii Books

    researchmap

MISC

▼display all

Awards

  • 第9回日本比較文学会賞

    2005  

    　More details

    Country：Japan

    researchmap

Research Projects

  • 外地引揚派の文芸創作と1970年前後―デラシネの文化伝承の研究

    2021.4 - 2024.3

    日本学術振興会  科学研究費助成事業  基盤研究(C)

    中根 隆行

    　 More details

    Grant amount：\4160000 （ Direct Cost: \3200000 、 Indirect Cost：\960000 ）

    本研究「外地引揚派の文芸創作と1970年前後―デラシネの文化伝承」では、1960年代後半から70年代にかけて登場する外地引揚げの経験をもつ作家たちの文芸創作を対象として、諸テクスト群を整理・分析して、同時代の文芸的潮流として位置づけることを目的としている。
    令和３年度は、外地引揚者たちが文芸創作を始める基盤となる1950年代の文化状況を組み入れながら資料調査・分析を実施した。朝鮮を主とする外地引揚者の文学は、個々の作家やテクストを中心に研究が進められる傾向にあるが、作家たちの知的背景や人的交流を含めて、その基盤となるのは、朝鮮戦争が勃発し、サンフランシスコ講和条約が締結される1950年代前半から1960年代にかけての時期である。
    令和３年度は、この1950年代前半から1960年代にかけての時期を中心に、中野重治らが注目した「被圧迫民族の文学」（1954年）や鶴見俊輔「朝鮮人の登場する小説」（1967年）などを手がかりとして、戦後における植民地文学に関する捉え直しの経緯や同時代文学の朝鮮に対する関心を時代認識の変容という観点から検討した。また、この時期における朝鮮引揚者たちの言動とともに、五木寛之ら1960年代にデビューし、外地引揚派と呼ばれる作家の文芸創作の動向に関しても検証している。
    本年度は、上記のように、外地引揚派という集合性とともに、1950年代から60年代にかけての文化状況の基礎調査を実施した。研究発表や学術論文の掲載までには至っていないが、令和４年度に本研究の研究成果を発表できるよう準備している。

    researchmap

  • 植民者二世の記憶と朝鮮表象―旧在朝鮮日本人の戦後と文芸創作の研究

    2017.4 - 2023.3

    日本学術振興会  科学研究費助成事業  基盤研究(C)

    中根 隆行

    　 More details

    Grant amount：\4420000 （ Direct Cost: \3400000 、 Indirect Cost：\1020000 ）

    令和３年度は、外地引揚者に関する資料整理と分析を中心に研究を実施した。埴谷雄高や尾崎秀樹など旧在朝鮮日本人に限らない植民地体験をもつ外地引揚者の戦後の言説を検証し、適宜位置づけるとともに、村松武司、森崎和江、小林勝、日野啓三、五木寛之らの文芸創作の実態把握に努めた。それとともに、現在までの日韓の先行研究についても再検討した。
    そのなかで、朝鮮戦争とサンフランシス講和条約以降の戦後日本の状況に関する注視が確認でき、戦後文学における同時期の動向とともに、外地引揚者にとっての戦後についても考察している。村松武司や小林勝らについて、植民者であるという自己確認と1950年代以降の言説を詳細に検証している。特に、村松武司に関しては、鶴見俊輔や大江満雄、小林勝、呉林俊、金時鐘らとの関係も含めて、朝鮮半島での来歴や初期からの詩作、エッセイ、栗生楽泉園でのハンセン病患者との交流など詳細に検討した。その他、1950年代から60年代における関連資料の収集・分析を行いつつ、1960年代から70年代における言説や活動をとりまとめ、関連する新聞雑誌関係資料を横断的に分析した。この点については、朝鮮引揚者と在日朝鮮人との交流やネットワークなどに力点をおいて検証している。
    令和３年度は、以上の項目について、それぞれの資料整理と分析を進めたが、コロナ禍のなかで国内外の資料調査や研究発表は実施することができなかった。これらについては改めて令和４年度の継続課題として、研究成果までまとめるものとしたい。

    researchmap

  • Study of Chosen Haiku: Development of Chosen Haiku and literary community formation

    2014.4 - 2018.3

    Japan Society for the Promotion of Science  Grants-in-Aid for Scientific Research  Grant-in-Aid for Scientific Research (C)

    Nakane Takayuki

    　 More details

    Grant amount：\4420000 （ Direct Cost: \3400000 、 Indirect Cost：\1020000 ）

    In Korea, during the Japanese colonial period, mainly Japanese people living in Korea enjoyed making Haiku. At that time, Haiku made by those Japanese residents in Korea were called ‘Chosen Haiku’. The purpose of this research was to analyze the formation of the literary world of Chosen Haiku, and empirically locate the development of Chosen Haiku. The formation of the literary world of Chosen Haiku began in earnest in the 1910s, from 1920s to 1930s, the literary world of Chosen Haiku started to question what Chosen Haiku is. Among them, Korean haiku poets that make haiku in Japanese, with No-Sik Park focusing on them, have also appeared. This research examines the development of such Chosen haiku, including after World War II.

    researchmap

  • Negotiations research concerning literary practice and its social memories of repatriates from colonial countries

    2011.4 - 2015.3

    Japan Society for the Promotion of Science  Grants-in-Aid for Scientific Research  Grant-in-Aid for Scientific Research (C)

    NAKANE Takayuki

    　 More details

    Grant amount：\4810000 （ Direct Cost: \3700000 、 Indirect Cost：\1110000 ）

    This research is about literature (mostly novel, poem, and memoir) of repatriates from colonial countries like Korea or Manchuria. The article will verify literary practice of repatriates from colonial countries by cross-examining literary works of same generation through media report and cultural representation.
    This research focuses mainly on repatriates from Korea. Characteristics of literary practice of those repatriates were contemplated by comparing their literary works with Japanese compositions during Japanese colonial period. The result shows that social images of repatriates after 1945 were portrayed very tragically, but literary practices of repatriates were definitely being assessed with a variety of views.

    researchmap

  • 1950年代における地域文学のネットワークにかんする研究

    2009

    　 More details

    Grant type：Competitive

    researchmap

  • Research on the Literature and Societal Representation during the Korean War in 1950s

    2008 - 2010

    Japan Society for the Promotion of Science  Grants-in-Aid for Scientific Research  Grant-in-Aid for Scientific Research (C)

    NAKANE Takayuki

    　 More details

    Grant amount：\3770000 （ Direct Cost: \2900000 、 Indirect Cost：\870000 ）

    This thesis tries to look into literary expressions about the Korean War erupted in 1950. The Korean War brought postwar reconstruction to Japan and at the same time the War dominated the situation of the cold war in East Asia. However literary expressions concerning the War were depicted in more complicated aspects." Solitude in the Plaza" by Yoshie Hotta might be a good example for stating this. And during that period in Hiroshima, Fukuoka and Ehime prefectures, local newspapers carried lots of poems on the theme of the Korean War and this made people create criticism against military bases development in Japan also evoke experience and memories in the former colony.

    researchmap

  • 日本近現代文学における越境文化と社会表象の研究

    2008 - 2010

    　 More details

    Grant type：Competitive

    researchmap

  • 京城帝国大学のアカデミズム形成と日本語文学に関する研究

    2006 - 2007

    日本学術振興会  科学研究費助成事業  若手研究(スタートアップ)

    中根 隆行

    　 More details

    Grant amount：\2770000 （ Direct Cost: \2770000 ）

    本研究では、京城帝国大学のアカデミズム形成と日本人・朝鮮人学生を中心とした日本語文芸活動に焦点をあて、それらが朝鮮半島という地域的独自性を踏まえた思潮としてどのように特徴づけられるのかを解明することを目的にしている。この観点から本年度はおもに法文学部を中心にその校風形成や学生思潮を把捉するべく検証を進めてきた。前年度の研究に引き続き、予科開校期および本科開設期前後(1923年〜1927年)を主として京城帝大の校風形成の経緯を追い、同窓会誌や教員の回想録等と比較しながら分析している。研究期間の最終年度にあたる本年度は、予科開校期から本科開設期における京城帝大の動向と在朝鮮メディア報道の調査結果からその校風文化について以下の研究成果報告を行っている。「植民地の帝国大学-京城帝国大学と朝鮮半島の1920年代」(愛媛大学「資料学」研究会)。これに関しては2008年度夏に論文として公表することが決定している。その他には「植民地的知性とは何か-京城帝国大学と知の彷徨」(2008年度高麗大学校日本学研究センターコロキウム)においても報告を行っている。また、京城帝大本科開設期の教員・学生の動向を踏まえた校風文化の形成および1930年代における日本語文芸活動(1933〜1936年)に関しては、日本列島および朝鮮半島における新聞・雑誌の資料調査や学内文芸誌における文芸創作の分析・検証を踏まえ、研究成果公表の準備を順次進めている。

    researchmap

  • Reception and Transformation of English and American literature in Asia (including Australia), from 19^<th> century to 21^<st> century

    2005 - 2008

    Japan Society for the Promotion of Science  Grants-in-Aid for Scientific Research  Grant-in-Aid for Scientific Research (B)

    SAITO Haijme, YOSHIHARA Yukari, IAN Carruthers, KATO Yukio, HAMANA Emi, SHIMIZU Tomoko, MINAMI Ryuta, HIBI Yoshitaka, TSUCHIYA Shinobu, SANO Masato, TSURUTA Manabu, TAKAMORI Akiko, NAKANE Takayuki, NAMIGATA Tsuyoshi, NAM Bujin, OOKUMA Sakae, MASAZUMI Araki, YOSHIDA Naoki

    　 More details

    Grant amount：\16430000 （ Direct Cost: \14900000 、 Indirect Cost：\1530000 ）

    researchmap

▼display all